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Loophole: Chiemi Shimada & Hansol Kim 22 August – 12 September 2026

A loop and a hole.

From the etymology dictionary, the word loophole came from a narrow slit in a wall, through which soldiers could shoot an arrow in battle. Now a loophole is a gap through which one can attack a system, or be left out of one.

Both meanings, medieval and contemporary, follow the same paradoxical mechanism of perception. A way of perceiving more, sharpened vision, seeing beyond by zoning into the smallest opening, a hole.

Chiemi's and Hansol's works remind me of this potential a loophole holds when it meets artistic practice, without having to serve arrows or legal manoeuvres.

And this is what I want to practise here, in my smallest circle.

A whole.

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A slide projection in a darkened room: a pale, lens-shaped form lies across a textured surface, with a small dark star above it.
Celestial Palpitation (2024), Chiemi Shimada, Installation, Slide projector, medicine packets, 5 minutes. Courtesy of the artist.
An abstract painting in burnt orange and pale teal. Fine horizontal stripes fill the background; large orange shapes radiate outward from a soft grey teardrop form near the centre.
Overlapping Pattern Study 3 (2026), Hansol Kim, Acrylic on paper, 59.4 × 84.1 cm. Courtesy of the artist.